Get Free Ebook The Contract with God Trilogy: Life on Dropsie Avenue (A Contract With God, A Life Force, Dropsie Avenue), by Will Eisner
Get Free Ebook The Contract with God Trilogy: Life on Dropsie Avenue (A Contract With God, A Life Force, Dropsie Avenue), by Will Eisner
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The Contract with God Trilogy: Life on Dropsie Avenue (A Contract With God, A Life Force, Dropsie Avenue), by Will Eisner
Get Free Ebook The Contract with God Trilogy: Life on Dropsie Avenue (A Contract With God, A Life Force, Dropsie Avenue), by Will Eisner
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From Publishers Weekly
Starred Review. Famed innovator Eisner showed the creators of modern comics what a potentially rich medium they were working with. In particular, he used the term "graphic novel" to sell A Contract with God (1978), a collection of interrelated comics stories about residents in a Jewish tenement section of New York. He returned to that territory in A Life Force (1988), showing one man's uncertain progress, and in Dropsie Avenue (1995), an historical panorama of the whole neighborhood. Printed together for the first time in this volume, the works reinforce each other beautifully. Eisner's virtuoso art always has been admired, but his writing sometimes has been disparaged as thin and sentimental. Over the span of these three books, though, emotions jostle and balance each other; sometimes the stories seem upbeat, sometimes fatalistic. The characters frequently are defeated in the short term but always yearning for more than their surroundings offer. In any case, Eisner's illustrations are superb: water drenches a man walking alone at night in a thunderstorm; a fat housewife athletically performs a "heart attack" right after her husband has collapsed with a real one; aerial cityscapes expand; and every possible expression flickers over the characters' faces. This is an important, wonderful book. (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From Booklist
Comics veteran Eisner launched a second career with A Contract with God (1978), one that eclipsed his pioneering 1940s work featuring the masked crimefighter the Spirit and led the way for the contemporary graphic novel. Two further Depression-era books set on the same fictitious street in the Bronx followed. In the wake of Eisner's recent death, the three are here gathered into a single volume. Contract consists of four vignettes, each focusing on a resident of 55 Dropsie Avenue. More ambitious, A Life Force (1983) details the intertwining lives of a handful of the tenement's inhabitants. Dropsie Avenue (1995) portrays the neighborhood's history from 1870, when British immigrants displaced Dutch--descended farmers, to its improbable rebirth from the ruins of the Bronx at the close of the twentieth century. By this point, Eisner's drawing style, always slightly cartoonish, had become even looser and more exaggerated, while his storytelling remained masterful. Along with his other late-life graphic novels, also slated for collection, the trilogy compellingly if melodramatically portrays New York Jewish life. Gordon FlaggCopyright © American Library Association. All rights reserved
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Product details
Hardcover: 528 pages
Publisher: W. W. Norton & Company; First Edition edition (December 17, 2005)
Language: English
ISBN-10: 9780393061055
ISBN-13: 978-0393061055
ASIN: 0393061051
Product Dimensions:
7.3 x 1.4 x 10.3 inches
Shipping Weight: 2.4 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
42 customer reviews
Amazon Best Sellers Rank:
#106,900 in Books (See Top 100 in Books)
Contrary to what some other reviewers have said, I highly preferred the first two parts of the book, because they felt more personal and character focused. The third part, while ambitious, focused more on Dropsey Avenue, and kept changing so fast that while you feel the passage of time, sometimes you also feel a little disconnected.It's not perfect, because some stories could have been expanded to see how the characters fared, but still this was really good. It's also a very human story.
Republished now in a single volume nearly three decades after their creation, the three books that make up The Contract with God Trilogy--A Contract with God, A Life Force and Dropsie Avenue--retain much of their power. Will Eisner shows that the concept of the graphic novel (which he helped create) can be the medium for realistic, moving stories.In fact, Eisner is much better when he focuses almost entirely on his stark, black & white artwork to tell his stories. A Life Force suffers somewhat from an overabundance of text taken mainly from newspaper stories of the time. It breaks up the flow of the very human stories he tells. In this sense, A Contract with God is the most powerful of the three books here: unflinchingly honest and emotional. Dropsie Avenue is a clever conceit that works very well--tracing the history of a single neighborhood--but suffers a bit when compared to the title story.Granted, these stories are period pieces and sometimes a bit difficult to follow with their plethora of characters and overlapping plots. Still, they are worth the effort, bringing to life a (mainly) depression-era society that is becoming harder and harder for many of us to picture. Thus, the benefit of a presentation like Eisner's. Certainly, anyone who feels that art can be used to tell a story as well as words will find plenty of supporting material in this volume. It is definitely worth reading.
A deeply important collection of works by one of the godfathers of modern sequential art tradition. This is an essential book for any lover of comics in its many forms, and certainly worth purchasing for the uninitiated. The ways in which Eisner utilizes space and juxtaposition to alter the reader's perception of the movement of time within the story is outstanding.
This graphic novel clearly represents the genius that was Will Eisner. The >500 pages is an artistic wonder as Mr. Eisner tells us the story of one street in New York City, and of one building, in particular. We first see the Dutch, angry that the English are moving in. Then the English are angry that the Irish are moving in, then come the Jews, Italians, African Americans, Hispanics, etc. Through it all, we meet good people, utterly despicable people, and every bit in between. I found a lot about this book difficult and sad -- but the drawings and the presentation of NYC, especially during the Great Depression, were so good.
Comic and cartoon artists are finally getting the respect they have deserved since the Yellow Kid wore his one piece pajama. Artists like Charles Burns and Frank Miller; Seth and Tony Millionaire, all work in a medium whose fan base is basically adult, literate and mainstream. In reading current book reviews of works like "Jimmy Corrigan, The Smartest Kid On Earth" by Chris Ware or "Blankets" by Craig Thompson, it is clear that the Graphic Novel as an art form no longer requires an asterisk.All these artists and cartoonists owe this new environment of respect in no small part to the work of Will Eisner, specifically the work contained in this volume. While Eisner was not the first artist to tell a story with pictures, he without question hammered out a stylistic language that others could learn and understand. I don't think it is an exaggeration to say that he brought the concept of the graphic novel home and gave it a firm structure and a future. Also important was Eisner's unyielding believe in the graphic novel as a form of fine art, as legitimate a tool for storytelling as any of the traditional oral or written forms. All current artists working in comics owe Eisner in the same way that all Afro-American ballplayers owe a debt of gratitude to Jackie Robinson. Like Robinson, Eisner completely believed in what he was doing and refused to accept anything less than respect for his work, all done in a day when respect didn't come easily or automatically for them.Now, about the work itself - what can one say? No one will ever replace or improve on Eisner's innate ability to tell a story with pictures. His work was absolutely gorgeous and fluid, the line and brushwork immaculate and dense without every looking fussy. He forged a unique and instantly recognizable style that is the true mark of a virtuoso in any artistic medium, and he was a very gifted storyteller into the bargain. There are certain panels in his best work, like "A Life Force" or "Droopsie Avenue," that are just jaw dropping in their beauty and absolutely unforgettable.To this day his work is unmatched in its depth and sophistication of theme. Norton deserves much praise for reissueing these trailblazing works in a well bound and attractive hardcover. Recommended highly.
It is a serious shame that "cartoons" are so underrated. If anyone thinks that it is easy or childish - they should try it. Will Eisner is one of America's best cartoonists. "Cartoons" should be treated as seriously as any other art form.
Book is amazing, however, it arived damages. Nothing serious but not what you expect from a book purched new. The box was not damaged and another book that came in the box was in perfect condition.
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